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Handel

HWV1A3N11 - Gönne nach den Thränengüssen mir

edward.maurath

1:31	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		17	35	6	5	100%
		15	2	3	5	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		17	35	6	5	100%
		15	2	3	5	100%
Bassoon Continuo		14	0	3	5	100%
Bass as Raymondo		17	0	5	8	75%
Oboe		8	0	2	3	71%

HWV1A2N30 - Sanerà la piaga un dì

edward.maurath

3:30	Est. Play Time
34	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		19	45	6	4	98%
		23	14	5	2	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		19	45	6	4	98%
		23	14	5	2	100%
Bassoon Continuo		22	0	5	2	98%
Soprano as Almira		15	0	3	6	87%

Air From Water Music

flippeters

1:52	Est. Play Time
28	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitar		23	29	4	7	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitar		23	29	4	7	100%

HWV5A3N6: Ah sommi Dei, cui la giustizia arruota (Esilena)

edward.maurath

2:16	Est. Play Time
34	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Contniuo)		12	0	4	3	100%
Harp (Continuo)		18	40	5	3	97%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Contniuo)		12	0	4	3	100%
Harp (Continuo)		18	40	5	3	97%
		17	20	5	4	83%
Esilena		15	0	6	6	97%

HWV61A1N4 - The fate of babylon, Belshazzar, Nitrocris, 1744

edward.maurath

1:18	Est. Play Time
23	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi		13	14	6	3	91%
		17	16	6	3	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi		13	14	6	3	91%
		17	16	6	3	100%
Cello		15	0	3	3	100%
NITOCRIS		13	0	4	5	65%
Daniel		11	0	3	3	35%

HWV58A2N17 - Jupiter, "Where 'er you walk" in B-Flat Major

edward.maurath

2:57	Est. Play Time
27	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo		19	54	6	6	100%
		22	6	6	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo		19	54	6	6	100%
		22	6	6	3	100%
Cello		20	0	5	3	100%
Kontrebaß		20	0	5	2	89%
Violas		18	0	4	4	85%
Vln 1		22	0	6	6	85%
Vln 2		20	0	6	3	85%
Tenor as Jupiter		12	0	3	7	78%

HWV8A1N3 - "Ah! Infelice mia patria," Act 1

edward.maurath

1:25	Est. Play Time
22	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		19	23	7	3	100%
		11	0	5	3	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		19	23	7	3	100%
		11	0	5	3	100%
Amarilli		13	0	5	3	100%
Violoncello		11	0	5	3	100%

Hallelujah, Amen

clcworship

1:41	Est. Play Time
34	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	50	2	6	100%
		19	11	2	7	97%
Voice		11	0	0	6	85%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	50	2	6	100%
		19	11	2	7	97%
Voice		11	0	0	6	85%

HWV7A1N26 "Cor ingrato, ti rammembri" (c minor)

edward.maurath

2:01	Est. Play Time
26	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		22	35	7	7	97%
		24	25	7	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		22	35	7	7	97%
		24	25	7	6	100%
Violoncello		24	0	7	6	100%
Rinaldo		14	0	4	8	92%

HWV8A1N3b - "Ah! Infelice mia patria" Accompagnato for soprano as Amarilli (November 1734)

edward.maurath

1:32	Est. Play Time
21	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		19	27	7	4	100%
		17	13	7	3	100%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		19	27	7	4	100%
		17	13	7	3	100%
Amarilli		14	0	5	3	100%
Contrabasses		11	0	4	3	100%
Violas		9	0	2	4	100%
Violins 1		12	0	4	3	100%
Violins 2		11	0	4	3	100%
Violoncello		11	0	4	3	100%
Violoncellos		11	0	4	3	100%

HWV1A2N16vEJM, "No, no, non voglio" (Almira)

edward.maurath

1:41	Est. Play Time
27	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		17	36	5	4	100%
		24	29	7	4	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		17	36	5	4	100%
		24	29	7	4	100%
Harpsichord		17	36	5	4	98%
		24	29	7	4	100%
Violoncello		20	0	6	4	100%
Almira		14	0	6	4	88%

Handel Sarabande Siebente Suite in g moll - HWV 432

pental

3:22	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	17	6	6	100%
		16	1	4	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	17	6	6	100%
		16	1	4	5	100%

Handel – Prelude «Voi che mie fide ancelle» from "Giulio Cesare" for Sax soprano & Strings Synth.

Aquarius-Ru

2:24	Est. Play Time
31	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings Synth.		24	51	8	6	100%
Violoncello		15	0	4	9	100%
Saxophone soprano		14	0	6	9	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings Synth.		24	51	8	6	100%
Violoncello		15	0	4	9	100%
Saxophone soprano		14	0	6	9	94%

Handel: Almira, "Wer umb Geld und Hoheit willen," (Consalvo)

edward.maurath

1:59	Est. Play Time
21	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi		17	41	4	4	100%
		19	0	3	4	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi		17	41	4	4	100%
		19	0	3	4	100%
Continuo		19	0	3	4	100%
Consalvo		16	0	4	4	76%

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